Vol. 15 No. 1 (2026): Rebeca 29

View Vol. 15 No. 1 (2026): Rebeca 29

 

 

 

 

 

 

 

Dossiê: Horror social: a área cinzenta do gênero no século XXI

Imagem: Filme A máquina infernal (Francis Vogner dos Reis, Brasil, 2021)

Published: 2026-03-03

Dossier Presentation

  • Olhares críticos sobre o horror e seu processo de legitimação

    Rodrigo Carreiro, Laura Loguercio Cánepa, Tiago Monteiro
    DOI: https://doi.org/10.22475/rebeca.v15n2.1579

Dossier

  • José Mojica Marins’ style in The Awakening of the Beast (1969) as a device for social criticism

    Suzana Reck Miranda, Leonardo Frederico
    DOI: https://doi.org/10.22475/rebeca.v15n2.1460

  • A vampire under the sun Vampirism in Brazilian erotic comedies of the 1970s

    Carlos Guilherme Vogel
    DOI: https://doi.org/10.22475/rebeca.v15n2.1439

  • Malaise and horror in Mormaço Body, city, and neoliberal politics in contemporary Brazil

    João Vítor Leal, Mariana Souto
    DOI: https://doi.org/10.22475/rebeca.v15n2.1421

  • Ambivalences of the fantastic and horror in Brazilian Cinema A decolonial analysis of the film As boas maneiras

    Letícia Xavier de Lemos Capanema, Rodrigo Fonseca
    DOI: https://doi.org/10.22475/rebeca.v15n2.1475

  • Between the magical daughter and the monstrous father From domestic-familial horror to maternal healing in The Father’s Shadow

    Roberta Oliveira Veiga, Luísa Silva Baraldo Paiva
    DOI: https://doi.org/10.22475/rebeca.v15n2.1485

  • Horror, ghost, and black female authorship

    Priscila Andrade, Érico Oliveira
    DOI: https://doi.org/10.22475/rebeca.v15n2.1488

  • Aural traumatization in Marte um (2022): The social horror implied by the sound

    Swahili Vidal Moreira, Renan Paiva Chaves
    DOI: https://doi.org/10.22475/rebeca.v15n2.1447

  • Thriller, society and fractures Split Field Diopter and class tensions in Pernambuco cinema

    Ian Costa, Vitor Celso Melo Faria Junior
    DOI: https://doi.org/10.22475/rebeca.v15n2.1437

  • What does the Brazilian working-class fear? Reflections based on A máquina infernal (2021)

    Giancarlo Backes Couto, Maurício Vassali
    DOI: https://doi.org/10.22475/rebeca.v15n2.1446

  • Monstrosity and resignification in Serial Fiction Horror as a pedagogical vector in Desalma

    Gustavo Furtuoso, Gabriela Borges
    DOI: https://doi.org/10.22475/rebeca.v15n2.1461

  • “And to the woman he said” Dissent in the rewriting of the critique of religious fundamentalism in Raquel 1:1

    João Marciano Neto
    DOI: https://doi.org/10.22475/rebeca.v15n2.1426

  • Dystopian conservatism and the imagistic interference of horror in Medusa

    Pedro Maciel Guimarães, Lucas Daniel Benvenutti Castro
    DOI: https://doi.org/10.22475/rebeca.v15n2.1425

General articles

Translations

  • Perspectives on Audiovisual Translation An academic overview

    Andressa Furlan Ferreira (Translator); Marco Agnetta, Alexander Künzli
    DOI: https://doi.org/10.22475/rebeca.v15n1.1282

  • Broadcast of Brazilian Feminist Videos in the 1980s A case study of television series Feminino Plural

    Marina Cavalcanti Tedesco, Danielle Parfentieff de Noronha
    DOI: https://doi.org/10.22475/rebeca.v15n1.1232

Interviews

  • Objectified bodies Interview with Sol de Carvalho

    Isaias Fuel
    DOI: https://doi.org/10.22475/rebeca.v15n1.1263

Film Reviews

  • Editing “Desire machine: 60 years of Teatro Oficina”

    Tainá Moraes
    DOI: https://doi.org/10.22475/rebeca.v15n1.1279

  • I’ve heard that bullfighting is not art The lies of Ferdinand

    Felipe França Ferreira
    DOI: https://doi.org/10.22475/rebeca.v15n1.1218

Masthead

  • Expediente

    DOI: https://doi.org/10.22475/rebeca.v15n2.1581