Vol. 15 No. 1 (2026): Rebeca 29 | Continuous publication | Rebeca - Brazilian Journal for Cinema and Audiovisual Studies

General articles

Brazilian cinema as an instrument of political debate Materialities, circulations and noises in Vazante

Eduardo Paschoal de Sousa
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1198
Eu matei Lúcio Flávio (1979) as precursor to the narratives of the current conservative counteroffensive

Leonardo Corrêa Figueira , Marcos Alexandre dos Santos Albuquerque
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1211
Fascism behind the door A reading of Conversation Piece, from Luchino Visconti

Mamede Said Maia Filho
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1227
"Quem nasce em Bacurau é gente. A gente” Identity in Bacurau (2019) based on comments on Letterboxd

Amanda de Sousa Veloso, Lara Lima Satler
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1238
Production, availability and discoverability of nature, territory and environmental documentary films Contrasts between Mexico and France

David Antonio Jurado González
- PDF (Español (España))
DOI: https://doi.org/10.22475/rebeca.v15n1.1257
Hong Sang-soo meets Quentin Meillassoux Contingency and repetition in Right now, wrong then

Bernardo Sollar Godoi, Dalila Rodrigues de Amorin
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1281
For a gaúcho aesthetic Landscape and regional identity in Paixão de gaúcho (1957) and Anahy de las Misiones (1997)

Rob Lassche
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1285
Diegues, from Carlos to Cacá (1955-1963)

Victor Santos Vigneron
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1287
The fragmented sacred Religious pluralism and the collapse of faith in the cinematic horror of The Exorcist: believer (2023)

Luís Geraldo Rocha
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1289
The cinematic adaptation of Spanish literary works A dialogue between artistic languages in La lengua de las mariposas

Yan Masetto Nicolai , Dario Mesquita
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1295
Reflexive nostalgia and presentification of the past in the trilogy X – The Mark of Death, Pearl and MaXXXine, by Ti West

Ana Maria Acker
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1307

Translations

Broadcast of Brazilian Feminist Videos in the 1980s A case study of television series Feminino Plural

Marina Cavalcanti Tedesco, Danielle Parfentieff de Noronha
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1232
Perspectives on Audiovisual Translation An academic overview

Andressa Furlan Ferreira (Translator); Marco Agnetta, Alexander Künzli
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1282

Film Reviews

I’ve heard that bullfighting is not art The lies of Ferdinand

Felipe França Ferreira
- PDF (Português (Brasil))
DOI: https://doi.org/10.22475/rebeca.v15n1.1218

Vol. 15 No. 1 (2026): Rebeca 29 | Continuous publication

General articles

Brazilian cinema as an instrument of political debate Materialities, circulations and noises in Vazante

Eu matei Lúcio Flávio (1979) as precursor to the narratives of the current conservative counteroffensive

Fascism behind the door A reading of Conversation Piece, from Luchino Visconti

"Quem nasce em Bacurau é gente. A gente” Identity in Bacurau (2019) based on comments on Letterboxd

Production, availability and discoverability of nature, territory and environmental documentary films Contrasts between Mexico and France

Hong Sang-soo meets Quentin Meillassoux Contingency and repetition in Right now, wrong then

For a gaúcho aesthetic Landscape and regional identity in Paixão de gaúcho (1957) and Anahy de las Misiones (1997)

Diegues, from Carlos to Cacá (1955-1963)

The fragmented sacred Religious pluralism and the collapse of faith in the cinematic horror of The Exorcist: believer (2023)

The cinematic adaptation of Spanish literary works A dialogue between artistic languages in La lengua de las mariposas

Reflexive nostalgia and presentification of the past in the trilogy X – The Mark of Death, Pearl and MaXXXine, by Ti West

Translations

Broadcast of Brazilian Feminist Videos in the 1980s A case study of television series Feminino Plural

Perspectives on Audiovisual Translation An academic overview

Film Reviews

I’ve heard that bullfighting is not art The lies of Ferdinand

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