Figurar o desejo, recriar o corpo: um estudo comparado de Tsai Ming-liang, Claire Denis e João Pedro Rodrigues

Authors

DOI:

https://doi.org/10.22475/rebeca.v9n1.600

Keywords:

Corpo, Desejo, Cinema contemporâneo, Estética cinematográfica.

Abstract

O artigo analisa como o desejo sexual participa da estrutura fílmica e da representação do corpo em Adeus, Dragon Inn (Bu San, 2003), de Tsai Ming-liang, Bom trabalho (Beau travail, 1999), de Claire Denis, e O fantasma (2000), de João Pedro Rodrigues. Em comum, as obras recorrem a procedimentos visuais e à performance corporal para apresentar uma economia libidinal que baliza a relação dos personagens com o universo a que pertencem. Em face disso, almeja-se discutir como, na lida com o desejo, o corpo resiste às forças sociais e afetivas que lhe são impostas. 

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Author Biography

Edson Costa Júnior, Universidade de São Paulo

Professor e pesquisador. Pós-doutorando em Artes Visuais pela Escola de Comunicações e Artes da USP, com bolsa PNPD. Doutor em Meios e Processos Audiovisuais pela mesma instituição, com bolsa FAPESP (2014/09365-4).

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Published

2020-08-09

Issue

Vol. 9 No. 1 (2020): Rebeca 17

Section

General articles

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