The dialogical texture in Edgard Navarro’s Eu Me Lembro

Authors

  • Marinyze das Graças Prates de Oliveira

DOI:

https://doi.org/10.22475/rebeca.v1n1.13

Keywords:

cinema, Brasil, Edgar Navarro

Abstract

Here we propose to analyze the film Eu me lembro (2005), by Edgard Navarro, in which the director, in an effort to recover his personal memory and the memory of the generation he belongs to, builds up a polyphonic and intertextual network, through appropriations, loans and quotes of works and authors inscribed on expressive territories and diverse historical moments. Resembling a patchwork quilt, the film unfolds a texture of elements taken from tradition and represents a prime example of how the artistic production takes place in contemporaneity.

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Published

2016-07-25

Issue

Vol. 1 No. 1 (2012): REBECA 1

Section

General articles

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