Acabaram-se os otários: compreendendo o primeiro longa-metragem sonoro brasileiro

Authors

  • Rafael de Luna Freire

DOI:

https://doi.org/10.22475/rebeca.v2n1.58

Keywords:

filme sonoro, disco, música caipira, exibição.

Abstract

O filme Acabaram-se os otários (1929), considerado perdido, foi tradicionalmente objeto de equívocos, simplificações ou mal-entendidos pela historiografia do cinema brasileiro. Para uma melhor compreensão do primeiro longa-metragem brasileiro sonorizado, este artigo propõe analisar a produção e a realização do filme de Luiz de Barros de forma mais abrangente e aprofundada dentro do conturbado contexto de transição do cinema silencioso para o filme sonoro.

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Published

2016-07-25

Issue

Vol. 2 No. 1 (2013): REBECA 3

Section

Dossier

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