Epidemic e a produção de afetos no cinema de Lars von Trier

Authors

  • Emília Valente Galvão

DOI:

https://doi.org/10.22475/rebeca.v2n2.57

Keywords:

Lars von Trier, Epidemic (1987), espectatorialidade cinematográfica, participação afetiva

Abstract

O objetivo deste artigo é examinar elementos da obra do cineasta dinamarquês Lars von Trier, a partir das noções de participação afetiva (MORIN, 1971; METZ, 1977) e modos de produção de afetos (ODIN, 2000). Por meio da análise do filme Epidemic (1987), o texto tenta demonstrar como, desde o início de sua carreira, o diretor vem colocando em cena uma série de problemas relacionados à expressão dos afetos dos personagens e à convocação da experiência afetiva do espectador a partir da apropriação de estratégias associadas aos gêneros de corpo (WILLIAMS, 1991).

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Published

2016-07-25

Issue

Vol. 2 No. 2 (2013): REBECA 4

Section

General articles

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