O filme em código
DOI:
https://doi.org/10.22475/rebeca.v8n1.552Keywords:
filme digital, circulação, performatividade midiática, codecs, copyrightAbstract
Esse artigo analisa o modo como a tensão entre os mecanismos que promovem a circulação do filme e os parâmetros midiáticos de sua identidade é articulada por meio de uma dupla codificação, simultaneamente algorítmica e jurídica. Para tanto, ele recorre às obras Download Finished (Sven König & !mediengruppe bitnik, 2006) e Artisa Sem Ideia (Cezar Migliorin, 2005).Downloads
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