Encenações do extracampo
DOI:
https://doi.org/10.22475/rebeca.v7n2.536Keywords:
extracampo, Bonitzer, realismoAbstract
No livro que esta resenha apresenta, Pascal Bonitzerinvestiga as características e funções particulares do primeiro-plano, da profundidade de campo e daquilo que chama de extracampo (hors-champ). É no que está fora de quadro, espaço para o qual o cinema aponta mas não mostra, que se realiza seu decisivo jogo: a mobilização do olhar. Não se trata de apenas ampliar o espaço do filme para um espaço contíguo e oculto (campo sobre o qual o espectador estaria cego) mas de invocar, através de distintas maneiras, tudo o que não é elemento visível (e audível) no filme, para que faça parte da imagem.
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