Cinematic artwork as a singularity: interviews with Noel Carroll

Authors

  • Denize Araujo UTP
  • Fernão Ramos UNICAMP

DOI:

https://doi.org/10.22475/rebeca.v6n1.482

Keywords:

film theory, cinematic artwork, medium specificity, convergence

Abstract

Interview with Noel Carroll, keynote speaker at the XX Socine Annual Meeting, on the cinematic artwork as a singularity.

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Author Biographies

Denize Araujo, UTP

Doutora pela University of California, Riverside, e Pós-Doutora pela Universidade do Algarve, Portugal. Coordenadora da Pós em Cinema e Docente do Mestrado e Doutorado da Universidade Tuiuti do Paraná (UTP), com pesquisa em Cinema e Audiovisual. 

Fernão Ramos, UNICAMP

Fernão Ramos é Professor titular do Departamento de Cinema do Instituto de Artes da UNICAMP e pesquisador CNPQ. Foi presidente fundador da SOCINE (Sociedade Brasileira de Estudos de Cinema e Audiovisual). Autor de, entre outros, A Imagem-Câmera(2012), Mas Afinal...o que é mesmo documentário?(2008) e Cinema Marginal, a Representação em seu Limite(1987). Organizou e escreveu com Luiz Felipe Miranda a Enciclopédia do Cinema Brasileiro (2012). É autor e organizador de História do Cinema Brasileiro(1987) e Teoria Contemporânea do Cinema, vols. I e II(2005). Possui pós-doutorado na Tisch School of Arts/New York University(1996/97), na UCLA (University of California/Los Angeles- 2000/01), na Université de Montreal(2005) e na Indiana University/Bloomington(2015).

CAPA REBECA 11

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Published

2018-05-13

Issue

Vol. 6 No. 1 (2017): REBECA 11

Section

Interviews

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