Constellação

Authors

  • Guilherme de Almeida

DOI:

https://doi.org/10.22475/rebeca.v2n1.305

Abstract

O escritor modernista Guilherme de Almeida (1890-1969) escreve críticas de cinema no jornal O Estado de S. Paulo a partir de 1926, indo até pelo menos a década de 40. Nelas testa diferentes modos de crônica e notas de comentário, que merecem avaliação na história da nossa crítica cinematográfica, sobretudo na capacidade de observar nos atores o que mais desperta interesse no público leitor. Edita seus “retratos” dos atores de sucesso nas telas silenciosas num esquecido livro de 1929, Gente de cinema, de que selecionamos esta moderna Marion Davies que reverbera versatilidade imitando numa só seqüência uma galeria de estrelas norte-americanas e européias, neste não menos moderno filme de King Vidor, Filhinha Querida (1927, The Patsy, ).

Downloads

Download data is not yet available.

Downloads

Published

2016-07-25

Issue

Vol. 2 No. 1 (2013): REBECA 3

Section

Out of frame

License

1.  Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under theCreative Commons Attribution License, which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.

 

2.  Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g. publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.

 

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

CC BY-NC-SA

This  license allows others to remix, adapt, and create from your work for non-commercial purposes, provided they credit you and license new creations under identical terms.


You are free to:

●  Share — copy and redistribute the material in any medium or format.

●  Adapt — remix, transform, and build upon the material.

 

The licensor cannot revoke these freedoms as long as you follow the license terms:

 

●  You must give appropriate credit, provide a link to the license, andindicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.


● You may not use the material for commercial purposes.